The Portuguese accordionist José Valente plays Sofia Gubaidulina's Et exspecto. The recital took place at the Royal Danish Academy of Music, Concert Hall, in Copenhagen on April 25, 2018.
Born in 1931, Gubaidulina stubbornly continued composing in her own way, often expressing Christian ideas, against the often active pressure of the Soviet Communist Party. Since the 1980s she has emerged as one of the leading composers in Russia. Work in the 1970s with an ensemble of traditional instruments (for which the composers associated with it wrote non-traditional classical music), interested her in the bayan, a Russian folk accordion, and from that grew her interest in the accordion. Of all the leading composers in the world she has probably written more great new music for that often maligned instrument, often working with the great player Friedrich Lips, who has reformed the playing technique of the accordion.
The title "Et expecto" implies the Latin version of the statement from the Christian Credo, "And I expect the Resurrection of the dead". However, there is no explicit program for the work. Musically, the work grows out of the quality Guibaidulina most admires in the accordion, the fact that it is practically unique among instruments with keyboards in that it breathes. Rhythms of breathing and variations of these form the structure of the five-movement, eighteen-minute work. Harmonies range from chorale-like to moth static and moving chord clusters, and the work exploits a number of sound effects possible on the accordion.
Source: Joseph Stevenson (allmusic.com)
Sofia Gubaidulina (b. 1931)
♪ Et exspecto (1985)
i. Quarter Note = c. 116
ii. 7/16 = 36
iv. Quarter Note = 116
v. Con moto
Video: Klavs Kehlet Hansen
Royal Danish Academy of Music, Concert Hall, April 25, 2018
Sofia Gubaidulina was born in Chistopol in the Tatar Republic of the Soviet Union in 1931. After instruction in piano and composition at the Kazan Conservatory, she studied composition with Nikolai Peiko at the Moscow Conservatory, pursuing graduate studies there under Vissarion Shebalin. Until 1992, she lived in Moscow. Since then, she has made her primary residence in Germany, outside Hamburg.
Gubaidulina's compositional interests have been stimulated by the tactile exploration and improvisation with rare Russian, Caucasian, and Asian folk and ritual instruments collected by the "Astreia" ensemble, of which she was a co-founder, by the rapid absorption and personalization of contemporary Western musical techniques (a characteristic, too, of other Soviet composers of the post-Stalin generation including Edison Denisov and Alfred Schnittke), and by a deep-rooted belief in the mystical properties of music.
Her uncompromising dedication to a singular vision did not endear her to the Soviet musical establishment, but her music was championed in Russia by a number of devoted performers including Vladimir Tonkha, Friedrich Lips, Mark Pekarsky, and Valery Popov. The determined advocacy of Gidon Kremer, dedicatee of Gubaidulina's masterly violin concerto, Offertorium, helped bring the composer to international attention in the early 1980s. Gubaidulina is the author of symphonic and choral works, two cello concerti, a viola concerto, four string quartets, a string trio, works for percussion ensemble, and many works for nonstandard instruments and distinctive combinations of instruments. Her scores frequently explore unconventional techniques of sound production.
Since 1985, when she was first allowed to travel to the West, Gubaidulina's stature in the world of contemporary music has skyrocketed. She has been the recipient of prestigious commissions from the Berlin, Helsinki, and Holland Festivals, the Library of Congress, the Chicago Symphony Orchestra, the New York Philharmonic, and many other organizations and ensembles. A major triumph was the premiere in 2002 of the monumental two-part cycle, Passion and Resurrection of Jesus Christ according to St John, commissioned respectively by the International Bachakademie Stuttgart and the Norddeutschen Rundfunk, Hamburg.
Gubaidulina made her first visit to North America in 1987 as a guest of Louisville's "Sound Celebration." She has returned many times since as a featured composer of festivals – Boston's "Making Music Together" (1988), Vancouver's "New Music" (1991), Tanglewood (1997), Marlboro (2016) – and for other performance milestones. In May 2011, she was feted on the occasion of her 80th birthday in concerts presented by the California Institute of the Arts and the Los Angeles Philharmonic. From the retrospective concert by Continuum (New York, 1989) to the world premieres of commissioned works – Pro et Contra by the Louisville Orchestra (1989), String Quartet No.4 by the Kronos Quartet (New York, 1994), Dancer on a Tightrope by Robert Mann and Ursula Oppens (Washington, DC, 1994), the Viola Concerto by Yuri Bashmet with the Chicago Symphony conducted by Kent Nagano (1997), Two Paths ("A Dedication to Mary and Martha") for two solo violas and orchestra, by the New York Philharmonic conducted by Kurt Masur (1999), Light of the End by the Boston Symphony Orchestra under Masur (2003), and Pilgrims for violin, double bass, piano and two percussionists (2015) by Chicago's Contempo Ensemble – the accolades of American critics have been ecstatic.
In January 2007, Gubaidulina was the first woman composer to be spotlighted by the BBC during its annual "composer weekend" in London. Among her most recent compositions are Feast During a Plague (2005), jointly commissioned by the Philadelphia Orchestra and the Pittsburgh Symphony Orchestra – and conducted in Philadelphia by Sir Simon Rattle and in Pittsburgh and New York by Sir Andrew Davis – In Tempus Praesens, a violin concerto unveiled at the 2007 Lucerne Festival by Anne-Sophie Mutter with the Berlin Philharmonic under the baton of Rattle, and Glorious Percussion, a concerto for five solo percussionists and orchestra premiered in 2008 by Gustavo Dudamel and the Gothenburg Symphony Orchestra.
Gubaidulina is a member of the Akademie der Künste in Berlin, the Royal Music Academy in Stockholm and of the Accademia Nazionale di Santa Cecila in Rome. She has been the recipient of the Prix de Monaco (1987), the Premio Franco Abbiato (1991), the Heidelberger Künstlerinnenpreis (1991), the Russian State Prize (1992), and the SpohrPreis (1995). Recent awards include the prestigious Praemium Imperiale in Japan (1998), the Sonning Prize in Denmark (1999), the Polar Music Prize in Sweden (2002), the Living Composer Prize of the Cannes Classical Awards (2003), the Great Distinguished Service Cross of the Order of Merit with Star of the Federal Republic of Germany (2009), the "Golden Lion" for Lifetime Achievement of the Venice Bieniale (2013), and the Prix de l'Académie Royale de Belgique (2014). In 2005, she was elected as a foreign honorary member of the American Academy of Arts and Letters. She is the recipient of honorary doctorates from Yale University (2009) and the University of Chicago (2011).
Her music is now generously represented on compact disc, and Gubaidulina has been honored twice with the coveted Koussevitzky International Recording Award. Major releases have appeared on the DG, Chandos, Philips, Sony Classical, BIS, Berlin Classics and Naxos labels.
José Valente was born in Lisbon in 1989. He began his musical studies at the age of 10, under the guidance of Professor Paulo Jorge Ferreira, at the Conservatório Municipal D. Dinis, Odivelas. At 18, he was admitted at Escola Superior de Artes Aplicadas do Instituto Politécnico de Castelo Branco (ESART), where he completed his Master in Music, in Accordion Specialization, in March 2013, under the guidance of teachers Paulo Jorge Ferreira and Maria Luísa Correia Castilho. In the academic year 2010/2011, the School awarded him a Scholarship Merit, for having obtained the best classification in Music's area. At this moment, his taking an Advanced Postgraduate Diploma – soloist, at the Royal Danish Academy of Music, under the guidance of the Norwegian accordionist Geir Draugsvoll.
José won several awards at national level: 1st prize at Concurso de Acordeão de Castelo Branco – Folefest (2008, junior category); 1st prize also at competition Folefest (2009, senior and chamber music category and 2012, chamber music category); 1st prize at 6º Concurso de Jovens Intérpretes de Caldas da Rainha (2009); 1st prize at competition Prémio Jovens Músicos 2014 (concert accordion category, advanced level); 1st prize ex-aequo at 17º Concurso de Interpretação do Estoril | Prémio El Corte Inglés (2015) and 1st prize on PIF 2016 – 41st Castelfidardo International Accordion Prize (Premio category). Also in competition PJM 2014, he got the European Union of Music Competitions for Youth prize (EMCY) and one Bolsa Gulbenkian from Fundação Calouste Gulbenkian. He was the first soloist accordionist to receive the EMCY prize. He also won the 3rd prize at the international competition Accordion Coupe Mondiale, in Scotland (2008, chamber music category). He has performed with Orquestra de Cordas de "G.B. Pergolesi" Conservatório de Fermo, Orquestra de Câmara de Cascais e Oeiras, Orquestra Clássica da Madeira, Orquestra Gulbenkian, Orquestra Sinfónica Metropolitana and Orquestra Sinfónica do Porto Casa da Música, under the baton of the great conductors Cesário Costa, Daniele Giulio Moles, Nikolay Lalov, Pedro Carneiro and Olari Elts. He attended master classes led by renowned accordionists, including Claudio Jacomucci, Frédéric Deschamps, Friedrich Lips, Geir Draugsvoll, Mika Väyrynen, Paulo Jorge Ferreira, Vojin Vasovic and Yuri Shishkin. He has performed concerts abroad the country, particularly in Casa da Música, Centro Cultural de Belém, Gulbenkian, Mosteiro dos Jerónimos, Palácio Foz, Palácio da Independência, Salão Nobre do Conservatório Nacional de Lisboa, Auditório Municipal Baltazar Dias, among many other places. He has also perfomed in many international music festivals, like Marvão International Music Festival (Marvão, Portugal), Dias da Música (Lisboa, Portugal), Akordeono Festivalis Vilnius (Vilnius, Lithuania), PIF Castelfidardo (Castelfidardo, Italy), among many other festivals.
In October 2014, his dissertation, Concert accordion in Portugal – perceptions and expectations, was edited by AvA Musical Editions. This study includes the participation of renowned Portuguese musicians: António Victorino d'Almeida, Carlos Marecos, Cristóvão Silva, Fernando Ribeiro, Joaquim Raposo, Paulo Jorge Ferreira, Sérgio Azevedo and Vitorino Matono.
Sofia Gubaidulina: De Profundis – José Valente (HD 1080p)
Sofia Gubaidulina: The Canticle of the Sun – Gal Faganel, Slovenian Chamber Choir, Kaspars Putninš (HD 1080p)
Sofia Gubaidulina: Sieben Worte for cello, bayan and strings – Jean-Guihen Queyras, Geir Draugsvoll, Norwegian Chamber Orchestra, Per Kristian Skalstad (HD 1080p)
Sofia Gubaidulina: Fachwerk for bayan, percussion and string orchestra – Geir Draugsvoll, Hans-Kristian Kjos Sørensen, Norwegian Chamber Orchestra,Terje Tønnesen (HD 1080p)