Accompanied the Gothenburg Symphony Orchestra, the French classical pianist Hélène Grimaud plays Maurice Ravel's Piano Concerto in G major, a piano concerto in three movements and is heavily influenced by jazz, which the French composer had encountered on a concert tour of the United States in 1928. Conductor: Lionel Bringuier. Recorded at Gothenburg Concert Hall on September 7, 2017.
The Piano Concerto in G major was a long time in the making. Ravel started thinking about it in 1928 (cf. his visit to Oxford) after his return from America; he took it up again in 1929, but then broke off to write the Concerto for the left hand, then continued with in 1930, and completed it in 1931.
For a long time Ravel declared his intention to perform the work himself and to undertake a world tour with it. But in recognition of his diminishing health and his technical limitations as a pianist, he handed over the role of soloist to Marguerite Long (13 November 1874 – 13 February 1966), the French pianist and teacher, to whom the work is dedicated. Together they gave the first performance at the Salle Pleyel in Paris on 14 January 1932.
The Concerto observes traditional 3-movement form, albeit with great contrasts of style between movements and indeed within them.
Allegramente: The first movement opens with a single whip-crack, and what follows can be described as a blend of the Basque and Spanish sounds of Ravel's youth and the newer jazz styles he had become so fond of. Like many other concerti, the opening movement is written in the standard sonata-allegro form, but with considerably more emphasis placed on the exposition.
Adagio assai: In stark contrast to the preceding movement, the second movement is a tranquil subject of Mozartian serenity written in ternary form (sometimes called song form, it is a three-part musical form where the first section (A) is repeated after the second section (B) ends. It is usually schematized as A–B–A).
Presto: The third movement recalls the intensity of the first with its quick melodies and difficult passage-work. Possibly due to its short length, the third movement is often repeated by the orchestra and soloist as an "encore" after the concerto.
Maurice Ravel (1875-1937)
♪ Piano Concerto in G major (1931)
ii. Adagio assai
Hélène Grimaud, piano
Gothenburg Symphony Orchestra
Conductor: Lionel Bringuier
Gothenburg Concert Hall, September 7, 2017
She could be called a Renaissance woman for our times. Hélène Grimaud is not just a deeply passionate and committed musical artist whose pianistic accomplishments play a central role in her life. She is a woman with multiple talents that extend far beyond the instrument she plays with such poetic expression and peerless technical control. The French artist has established herself as a committed wildlife conservationist, a compassionate human rights activist and as a writer.
Grimaud was born in 1969 in Aix-en-Provence and began her piano studies at the local conservatory with Jacqueline Courtin before going on to work with Pierre Barbizet in Marseille. She was accepted into the Paris Conservatoire at just 13 and won first prize in piano performance a mere three years later. She continued to study with György Sándor and Leon Fleisher until, in 1987, she gave her well-received debut recital in Tokyo. That same year, renowned conductor Daniel Barenboim invited her to perform with the Orchestre de Paris.
This marked the launch of Grimaud's musical career, characterised ever since by concerts with most of the world’s major orchestras and many celebrated conductors. Her recordings have been critically acclaimed and awarded numerous accolades, among them the Cannes Classical Recording of the Year, Choc du Monde de la musique, Diapason d’or, Grand Prix du disque, Record Academy Prize (Tokyo), Midem Classic Award and the Echo Award.
Between her debut in 1995 with the Berliner Philharmoniker under Claudio Abbado and her first performance with the New York Philharmonic under Kurt Masur in 1999 – just two of many notable musical milestones – Grimaud made a wholly different kind of debut: in upper New York State she established the Wolf Conservation Center.
Her love for the endangered species was sparked by a chance encounter with a wolf in northern Florida; this led to her determination to open an environmental education centre. "To be involved in direct conservation and being able to put animals back where they belong", she says, "there's just nothing more fulfilling". But Grimaud's engagement doesn't end there: she is also a member of the organisation Musicians for Human Rights, a worldwide network of musicians and people working in the field of music to promote a culture of human rights and social change.
For most people, establishing and running an environmental organisation or having a flourishing career as a musician would be accomplishment enough. Yet, remarkably, Hélène Grimaud has also found time to pursue writing, publishing three books that have appeared in various languages. Her first, "Variations Sauvages", appeared in 2003. It was followed in 2005 by "Leçons particulières", and in 2013 by "Retour à Salem", both semi-autobiographical novels.
Despite her divided dedication to these multiple passions, it is through Grimaud's thoughtful and tenderly expressive music-making that she most deeply touches the emotions of audiences. Fortunately, they have been able to enjoy her concerts worldwide, thanks to the extensive tours she undertakes as a soloist and recitalist. She is also an ardent and committed chamber musician who performs frequently at the most prestigious festivals and cultural events with a wide range of musical collaborators, including Sol Gabetta, Thomas Quasthoff, Rolando Villazón, Jan Vogler, Truls Mørk, Clemens Hagen and the Capuçon brothers.
Recent performance highlights have included two collaborations with the Turner Prize-winning artist Douglas Gordon – firstly, tears become… streams become…, a large-scale immersive installation at New York's historic Park Avenue Armory, whose Drill Hall floor was flooded to become an immense field of water, and secondly, Neck of the Woods, a piece devised for the Manchester International Festival combining music, visual art and theatre, in which Grimaud shared the stage with legendary actress Charlotte Rampling. She also appeared at the opening-night gala of the new Philharmonie de Paris and gave two summer concerts at the Caramoor Center for Music and the Arts (New York State) in her role as 2015 Artist-in-Residence. Her recital at the Philharmonie Essen in May, meanwhile, was crowned by the award of the 2015 Klavier-Festival Ruhr Prize, honouring her exceptional career and extraordinary artistry.
In her diary for the 2015/2016 season are appearances with Valery Gergiev and the Mariinsky Orchestra at St Petersburg's White Nights Festival and at the Festspielhaus Baden-Baden's Summer Festival. She plays Beethoven with the Orchestra dell'Accademia Nazionale di Santa Cecilia under Antonio Pappano and Brahms with the Philadelphia Orchestra conducted by Yannick Nézet-Séguin. She also tours Asia and Europe, playing concertos by Ravel, Brahms and Mozart and giving a recital programme inspired by water.
In 2016, Grimaud released Water, a live recording of the performances from tears become... streams become... which brings together works by nine composers: Berio, Takemitsu, Fauré, Ravel, Albéniz, Liszt, Janáček, Debussy, and Nitin Sawhney, who has written seven short Water Transitions for the album as well as producing it. Grimaud has been an exclusive Deutsche Grammophon artist since 2002, and Water follows the September 2013 release of her album of the two Brahms piano concertos, the first concerto with Andris Nelsons conducting the Bavarian Radio Symphony Orchestra and the second recorded with the Vienna Philharmonic. Classic FM said: "Hélène Grimaud turns her thrilling, deeply personal brand of music-making to Brahms's first and second Piano Concertos. Throughout her playing is sensitive, graceful, and commanding without ever feeling forced". Limelight magazine called it an "utterly remarkable, inspired and inspiring recording".
Duo, the album she recorded with cellist Sol Gabetta just prior to the Brahms concertos, won the 2013 Echo Award for "chamber recording of the year". Previous releases include her readings of Mozart's Piano Concertos Nos.19 and 23 on a 2011 disc which also featured a collaboration with singer Mojca Erdmann in the same composer's Ch'io mi scordi di te?. Grimaud's 2010 release, the solo recital album Resonances, showcased music by Mozart, Berg, Liszt and Bartók, while her other DG recordings include a selection of Bach's solo and concerto works, in which she directed the Deutsche Kammerphilharmonie Bremen from the piano; a Beethoven disc with the Staatskapelle Dresden and Vladimir Jurowski which was chosen as one of history's greatest classical music albums in the iTunes "Classical Essentials" series; Reflection and Credo (both of which feature a number of thematically linked works); a Chopin and Rachmaninov Sonatas disc; a Bartók CD on which she plays the Third Piano Concerto with the London Symphony Orchestra under Pierre Boulez; and a DVD release of Rachmaninov's Second Piano Concerto with the Lucerne Festival Orchestra under the direction of Claudio Abbado.
Hélène Grimaud is undoubtedly a multi-faceted artist. Her deep dedication to her musical career, both in performances and recordings, is reflected and reciprocally amplified by the scope and depth of her environmental and literary pursuits.
Hélène Grimaud: Water – Nitin Sawhney, Luciano Berio, Toru Takemitsu, Gabriel Fauré, Maurice Ravel, Isaac Albeniz, Franz Liszt, Leoš Janáček, Claude Debussy (Audio video)
A Russian Night: Tchaikovsky, Rachmaninov & Stravinsky – Hélène Grimaud, Claudio Abbado (Full HD 1080p)
Hélène Grimaud talks about Claudio Abbado
Wolfgang Amadeus Mozart: Piano Concerto No.23 in A major, ii. Adagio – Hélène Grimaud, Radoslaw Szulc
Pyotr Ilyich Tchaikovsky: Symphony No.6 in B minor "Pathétique" – hr-Sinfonieorchester, Lionel Bringuier
George Gershwin: Rhapsody in Blue – Yuja Wang, Camerata Salzburg, Lionel Bringuier
Maurice Ravel: Piano Concertos – Yuja Wang, Tonhalle-Orchester Zürich, Lionel Bringuier (Audio video)
Gothenburg Symphony Orchestra – All the posts