Krzysztof Penderecki

Krzysztof Penderecki
Krzysztof Penderecki (1933-2020) conducting his oratorio "Seven Gates of Jerusalem" at the Winter Palace, St Petersburg, in 2001. Photo by Dmitry Lovetsky

Sunday, April 07, 2019

Frank Bridge: Cello Sonata in D minor – Sophia Bacelar, Daniela Hlinková (HD 4K)

Cuban-Chinese-American cellist Sophia Bacelar and the extraordinary and sensitive Slovak classical pianist Daniela Hlinková perform Frank Bridge's Cello Sonata in D minor, H.125. Recorded live at the Berliner Philharmonie, on January 22, 2017.

The Sonata in D minor for Cello and Piano, dated 1913-1917, is a two-movement work in which the second movement displays Bridge's great despair over the futility of war and the general state of the world. Marked by his usual technical fastidiousness and unerring taste, the Cello Sonata indicates that Bridge was beginning to open himself to a wider range of stylistic references. (Some writers see reflections of Rachmaninov in the first movement, and of Bax in the opening of the second.)

The opening movement, begun in 1913, starts with a soaring cello line and continues with rolling periods of lyrical flights and accompaniment which adds richness and tension to the music's progress. The contrasting second movement, first conceived as a slow movement followed by an independent finale, was compressed into an arch-shaped structure, incorporating a thematically derived scherzetto with the addition of an extended coda which refers to the work's opening.

The entire sonata, with the chromaticism of the slow section and the aggressive tonal and bi-tonal colors in the scherzo, hints at his later style. At the American premiere in 1923 the audience (including Artur Rubinstein and Hans Kindler) was captivated by the lyrical beauty of the work, a favorite of its composer which has remained the most widely performed of his duet pieces.

Source: Jane Erb (

Frank Bridge (1879-1941)

♪ Cello Sonata in D minor, H.125 (1913-1917)

i. Allegro ben moderato [0:32]*
ii. Adagio ma non troppo – Molto allegro agitato [10:40]

Sophia Bacelar, cello
Daniela Hlinková, piano

Berliner Philharmonie, January 22, 2017

(HD 4K / 2160p)

* Start time of each movement

Cuban-Chinese-American cellist Sophia Bacelar is quickly gaining recognition as one of classical music's young rising stars. Recent seasons saw her debuts as soloist at renowned venues such as The Berliner Philharmonie and The Tonhalle Zürich, a series of six concerts broadcast by at the auditorium of La Fondation Louis Vuitton in Paris as one of the laureates of the prestigious "Classe d'Excellence de Violoncelle" of Gautier Capuçon, and various solo performances throughout North America, South America, and Europe.

Sophia has performed at Carnegie Hall, The Berliner Philharmonie, The Tonhalle Zürich, Le Théâtre des Champs-Élysées, Victoria Hall, Cité de la Musique, and Alice Tully Hall, among others, and has appeared in several renowned festivals, including Festival Napa Valley, The Seiji Ozawa International Academy, The Mendelssohn Festival, and The Piatigorsky International Cello Festival. She has also been a laureate of several international competitions, with most recent prizes including 2nd Prize at the Berliner International Competition (2017), 2nd Prize at the Janigro International Competition (2016), and the Mondavi Center's Career Development Award (2015).

Sophia is passionate about promoting classical music to a new, younger generation of listeners, as well as bringing it to less-reached communities throughout the world. After being inspired by the positive response of audiences during her experiences performing in South America and after concerts broadcast online, Sophia decided to aim to broaden the reach of her music by introducing it in alternative venues and through contemporary mediums. Among her past and current projects include a series of live-streamed concerts in cooperation with Classeek Music, community outreach projects and concerts with children in South America, performances in nightclubs such as Le Poisson Rouge, and collaborations with musicians outside the traditionally classical sphere, including Jazz pianist/composer Dan Tepfer and various electronic musicians. In addition, she maintains an active social media presence on her Instagram account, @sophiabacelar.

Born in 1996 in the United States, Sophia began her musical studies at the age of two. At the age of ten, she was accepted to The Juilliard School, where she studied under the tutelage of Clara Kim for six years. After graduating at age 16, Sophia went on to further her studies at Le Conservatoire National Supérieur de Paris in the class of Philippe Muller, from which she graduated two years later. During the 2016-2017 season, she also worked under the mentorship of Gautier Capuçon at La Fondation Louis Vuitton as part of the "Classe d'Excellence de Violoncelle". She is currently pursuing her graduate studies at the Hochschule für Musik Hanns Eisler in the class of Nicolas Altstaedt. Other close musical mentors have included composer Kendall Durelle Briggs, pianist Noreen Polera, and Bernard Greenhouse, with whom Sophia studied privately for several years.

In addition to music, Sophia studied visual arts for several years, is an avid reader, and is enthusiastic about food, health, and fitness; when not occupied with her musical activities, she devotes the majority of her spare time to these interests.


More photos

See also

Claude Debussy: Sonata for cello and piano in D minor – Sophia Bacelar, Daniela Hlinková (HD 4K)

Camille Saint-Saëns: Cello Concerto No.1 in A minor (arr. for cello and string orchestra by Olga Pak) – Sophia Bacelar, Berliner Camerata (HD 4K)

Sergei Rachmaninov: Vocalise – Sophia Bacelar, Daniela Hlinková (HD 4K)

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